Projects update

   
     Two weeks before I had finished a magazine cover I had created in line with the tutorial I was assigned and had followed. I got the picture of a photo I had taken of myself with grease paint. Looking back at the picture it reminded me of how the marines look with camouflage. Though amusing, it gave me an idea for the title of the magazine. I named the title of the magazine Marine to go along with the picture. I used several gradients with a stroke effect in Adobe Indesign to create a backing for the text over it. I was generally pleased with the effect it gave the finished work. It looked very much what you'd expect from a magazine. This week we presented our typefaces mounted on foam board with dimensions of 11X17. I created three typefaces; a contoured, rounded off typeface in copper wire, a block lettered typeface in ripped up paper covered in acrylic paint, and a wire like typeface made of chocolate mixed with whipped cream in coffee. I personally found these mediums both aesthetically appealing and fitting to the design of each typeface. I got the effect I wanted out of all of them except for the copper wire typeface. The design of the typeface came out fine, but I wanted to create a sort of homage to the original arcade version of Donkey Kong by having the letters situated between the platforms  like in the game, from which  copper wire Donkey Kong would be barrels. The next assignment we were given after the presentations involves redesigning a magazine. It requires modifying the design of the cover, the table of contents, along with two pages of the first opening article. When I have done the magazine project, I'll have an update posted along with things we have done that week.

Typography Critique

                                                                 Example #1

                                                                     Example #2

                                                                       Example #3

Example #4

                                                                       Example #5
  The post for the bad and good typography is going up with this weeks post as it took longer to do then anticipated. The examples of bad typography I have posted include the the 5 examples above. Examples 1,2,4 and 5 all suffer from one bad flaw of typography; they are generic. Other then the use of color, the styling of the font is pretty similar and lacks expressiveness. The content of the typography is even more lacking. The title of the nail salon is nail colors, the name for the karate dojo is karate and the name of the dentistry is dentist. They don't give themselves a title which would distinguish themselves from anybody else. It similarly would not get Denny's any publicity if they simply called themselves restaurant and then had a typography they used in that logo that did not come across as unique.  Example 4 merely uses a bubbled text overlapped by another text in red to catch the attention of the passing drivers. The overlap obscures the title in a way that may come across as aesthetically unappealing. The use of rounded edge text seems very over abused in local advertisements almost as much as Helvetica is nationally, almost as if it's a fallback choice for those that can't make their own typeface. Example number three also comes across as unappealing as what looks very much like Times New Romans; another default text. Though I find Times New Roman to be appealing in regards to typeface as it is applied in communications and perhaps even used in articles, I find it unappealing when applied to commercial logos. The color is also neutral and unengaging.

                                                                         Example #1

                                                                         Example #2

                                                                       Example #3

                                                                         Example #4

 Example #5

      The next five are examples of what I believe to be good typographies. Example 1 is very expressive in that it is stylized to fit with the theme, which is fast food orientated toward poultry. The cursive typeface is aesthetically engaging, but it is clear and legible. The C in particular stands out from the rest, stylized like a chicken, but simplistic and minimalistic in its design. Example 2 is also very expressive as the first in that the design of the typography fits with the content of the title, "The Blue Monkey...” The Blue Monkey text is styled like stalks of bamboo, which complements well with the silhouette of the blue monkey. The block like text of example 3 is subdued enough so that the icon in the middle draws the viewer in, yet goes well with the overall presentation. This has been an effective marketing technique for Starbucks, as the icon alone is world renown in its association to the franchise by all who see it. Like McDonalds golden arches, there is no mistaking what this typography represents when you see it. Example 4 also has complimentary aspects of its design, both in its use of typeface and of its use of iconography. The Einstein bros in the middle draws the viewer's eye in at first. The differentiation of the color of the bagels they are holding across from their outstretched arms  arms brings one's attention to those objects and then around the circle of color surrounding them, which forms another bagel like shape. The thickness and color of the black typeface contrasts enough to stand out, but not so much that it is overpowering.One's attention is drawn to the bold typeface and then the thin typeface between Einstein Bros on the top and the word bagels on the bottom. Lastly number 5 seems to me to  represent good typography in it's use of the bell, which goes well with the content of the name of the franchise in a way that is unique to it's marketing alone. The purple typeface with the white outline gives it a design that helps it stand out, especially at night when these displays are glowing. This plays well into their marketing campaign as many of their low prices are offered at midnight. That's it for the bad vs. good examples of typography. A post for this week's general update about what I've done in Graphic Design so far and the projects I've been working on so far will be posted either later today or tomorrow. See you then!

Typeface Project and Other Things

     This week we have been watching videos on typeface and it's social impact, particularly the Helvetica, a sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger with Eduard Hoffmann. It's impact is marked by it's significance of being neutral or at least coming off subjectively to the viewer as being neutral. It has in many respects been a default for many commercial typeface and advertisements. It was mostly for educational purposes that we watched this, but secondarily because of the typeface project we were assigned. We are required to create a three types of typeface, each hand made, and each using a different medium. I had decided a week prior to use coffee for one, copper wire for another, and painted paper for the last. The finished photos shall be printed out 11X17 and mounted unto foam board. Along with this project I am required to take photos of five examples of good typography and five examples of bad typography and post them up on my blog. I should have that posted up on my blog by tomorrow.

First Tutorial and Upcoming Magazine Cover

     This week we were expected to post up our finished work according to the tutorial we followed on a template for a template we were experimenting with  in Adobe Indesign. I had made some modifications, being that we were expected to make our own design that was to some degree based off that template. I modified the content of the article along with the picture, but all in all the design was not fundamentally altered in any serious way. In class, two classmates did presentations on two very influential graphic designers. The first was  Adrian Frutiger (born May 24, 1928 in Unterseen, Canton of Bern)  a typeface designer from Switzerland. He is best known for a realist sans-serif typeface called Univers. The other was Max Huber (1919–92) was an influential Swiss twentieth century graphic designer. Most of the work he did was in Italy. The job puts him in contact with the post-war Italian intelligentsia:Cesare Pavese, Natalia Ginzburg, Elio Vittorini, Franco Fortini, Ettore Sottsass, Achille Castiglioni and Albe Steiner. His typefaces were known to be very abstract and minimalistic. After the presentation we discussed the next homework assignment which will be creating a magazine cover through a tutorial that we are directed to follow.  Posts for that when I'm done are on the way.

Graphic Design update: Brief Photo-Typo Assignment

Hey guys! So, as of the last couple of weeks we have been diligently been working at finishing the assignment given. The assignment was to capture photographic images which are representative of the typographic characters, numerals, & associated symbols. We can do all upper case or all lower case letters or a mixture of the two. The challenge is to create 45 images; 26 letters (A-Z)  - 10 numerals (0-9) - 9 Symbols.
This was part one of that brief photo-type assignment. The second part is to photo capture signages, which are  industrial/commercial/craft based typography. The goal of this is to capture 15 types of these signages.  For the 1st part of the project I looked in my house for found objects and projections that looked like any sort of letter, number or symbol. I then put the digital images onto an Adobe Indesign template. Next, I went around the shopping centers near my neighborhood and took pictures of the most interesting and expressive sorts of signages. I put that also on an Indesign template. I printed out the pictures at Staples and mounted them each on an 11x17 piece of foam board. The presentation for these finished pieces worked out well. The pictures of the finished works in Indesign are displayed at the top in this post. Hope you enjoy them!